Asana – Frantic Shanti

Sometimes I Hate Yoga

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So, I’m gonna bitch a bit. If you didn’t come here for that, I’ll see you in next week’s post.

If you’ve decided to stay and slog through my complaints, please know that I’m writing this as someone who is not only a certified yoga teacher (RYT-200) but also a certified teacher of yoga for cancer survivors (y4c), so I have to exert conscious effort to make sure that I’m not part of the problem.

My gripes mainly have to do with beginner-level classes in the US. And I have a list.

Most classes provide insufficient warmup for the majority of students. Important: Stretches are not warmups. Warmups warm up the body, get blood flowing and improve mobility. Stretching cold muscles is a shortcut to an injury. Other fitness modalities have figured this out but many yoga classes start out with static stretches.

In the same vein, some introductory poses are held too long. Look, I get it. I’ve done this too. But getting into twists soon after starting and then holding and trying to deepen them…let’s just say that I’ve spent enough time in Physical Therapy to know that this is not a good idea.

What’s up with the Eagle Arms obsession?
(Photo by Erik Brolin on Unsplash)

Similarly, I’ve been to multiple classes that seem to be in love with Eagle Arms (Garudasana Hasta). Why? And especially not without proper warmup for the pose. I tweaked my shoulder muscles in one class that put us in three sets of Eagle Arms throughout the session including close to the start. Wha???

Particularly in beginner classes, care needs to be taken because as a teacher you are making assumptions about people’s abilities that (a) might make certain asanas inappropriate for them, and even worse (b) might make them feel uncomfortable about backing off from them during a live class, even when they risk injury. Peer pressure is real. Heck, I don’t even want to back off during a recorded class!

Along those same lines, for Pete’s sake, don’t automatically assume that everyone is going to love it when you burn sage or palo santo or whatever it is you’re planning to light on fire in the studio. On the other hand, it’s worth mentioning that I’ve had very astute teachers use aromatherapy in a way that was limited to individual spaces, where students had a chance to indicate whether they did or did not want a waft of essential oil in their direction, and that was perfect! But burning something in a class where you have no idea whether a student has an allergy or even a serious condition like cystic fibrosis means that you may inadvertently send someone to the hospital. Smoke is still smoke, no matter what its role is in traditional beliefs.

Let’s talk about necks. Just because you can turn your neck in a certain way does not mean you should. This is includes even beginner-friendly asanas like Cat-Cow (Marjaryasana-Bitilasana). There is no need to crane your neck to look at the ceiling during Cow. No, no, no. There’s nothing up there worth looking at. And if you’re a teacher, don’t demonstrate potentially injurious extremes.

“Look at meeeeee, all you beginner people!”
(Photo by Wesley Tingey on Unsplash)

When I was studying for my personal trainer certification, I spent a lot of time learning anatomy and kinesiology. When I went through yoga teacher training, not so much. Yoga is complex because of its roots and I agree that proper attention should be paid to them during teacher training with ample opportunities to deepen study later. There are few forms of movement that have such a rich and culturally important tradition. However, in the US, most beginner students are there for the movements and not the philosophy. A teacher being knowledgeable about ayurvedic medicine is not going to prevent one of their students from slipping a disk.

And along those lines, just because an asana exists does not mean that it’s biomechanically safe. I know that yoga imbues certain movements with a sense that they will heal your mind. But if they wreck someone’s body in the meantime…no bueno. So this is a caution for both teachers and students to teach and/or practice material appropriate for the class level.

Finally, for a beginner class, the teacher shouldn’t say something like, “and now, I’d like to give you a chance to do an asana that calls out to you, that we didn’t do in class.” If it’s truly a beginner class, no one will have such an asana. However, if you are giving the more advanced people a chance to, let’s face it, show off in front of everyone else, well, that’s kind of an asshole move.

That’s not what yoga, even in the US, should be like.

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Disclaimer:
I know. I know about the Eight Limbs of Yoga. This is not about that. This is about a garden-variety basic beginner yoga class that you might encounter in the wild. I get that you have the choice of whether or not to do an asana. But as I mentioned, I know better and I still do stupid stuff. What if someone doesn’t know better? Yes, a lot depends on the teacher. Some teachers will try to encourage their students to challenge themselves, which might backfire in a beginner class. Actually, that’s another gripe in itself, but I have more than enough listed up there already.

Reconsidering Yoga Adjustments

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There is an expectation in the US that yoga practitioners are all young and flexible with great balance, but we know that’s not the case. Many people who might benefit the most from a yoga practice are certainly not.

When I started Yoga Teacher Training (YTT), there were two assumptions that most of us made:

“Full expression of the pose” is not accessible to every yoga practitioner.
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Every yogi strives for the “full expression of the pose”, suggesting that there is one perfect way to perform a yoga asana.
An important responsibility of a yoga teacher is to move students into the full expression of the pose, using hands-on adjustments if necessary.

Those two assumptions may:
(1) discourage students from yoga practice, particularly when you consider that yoga originally developed as a practice for men, and asanas do not necessarily take into consideration the female body (or diverse body shapes) even though the majority of practitioners in the US are female; and (2) may compel newly-minted yoga teachers to push students into positions that are wrong for their body shapes and can cause harm to them.

During YTT, however, we learned that the “full expression of the pose” as a concept was no longer taught and teachers were discouraged to refer to asanas in that way, no doubt in an effort to be more welcoming to a broad range of people.

My person belief is that hands-on adjustments are not necessary for yoga under most circumstances.
(Photo by Annie Spratt on Unsplash)

We also learned how to do hands-on adjustments. The idea was that you needed to check with the student whether they wanted to be adjusted.

However, I myself have received adjustments in classes that I hadn’t requested or agreed to. It’s never been harmful to me and generally felt good, especially in settings where I couldn’t check my form in a mirror. Futhermore, the classes tended to be higher level, so there was probably an assumption on the part of the instructor that you’re in a more intense class for a reason, otherwise you’d be in a lower level class.

But you can probably see where I’m going with this. I tended to be one of the oldest students in these classes. I’ve done yoga (and a range of other exercise modalities) for decades, but my flexibility and balance have taken a hit from cancer treatment and various injuries. Unless a teacher is sensitive to that, we can run into trouble.

Additionally, I’ve seen less-experienced students attend more difficult classes because they were coming with a friend or couldn’t get to the easier class that they wanted, and decided to just “do their best”. That should always be good enough without putting a student at harm.

Yogis come in different shapes, sizes and levels of flexibility…and that’s okay.
(Photo by LOGAN WEAVER | @LGNWVR on
Unsplash)

My personal feeling? Stick with gentle verbal adjustments to relay the spirit of the asana and cue according to the class’ level, understanding that students will have varying ranges of flexibility. I do not feel comfortable doing hands-on adjustments unless the student is requesting it AND I know the student well enough to be familiar with their limitations, if any. That means verbal adjustment for students in a general class vs. POSSIBLY hands-on adjustments for a student that I’m teaching privately, where we can talk through how the asana feels in their body. Quite often, I will forgo hands-on adjusting altogether.

Finally, I leave you with a quote from the YogaUOnline.com website. Charlotte Bell proposes a difference definition of “full expression”, in an excellent article titled, What is Full Expression in Yoga Practice?: “Full expression arises in a pose when our bodies are aligned such that the wave of the breath is free to circulate throughout the body. It also happens when we have invested our full attention into the sensations arising as we move and breathe in the pose. The full expression is not dependent on what a pose looks like.”

Why I Get Irritated Searching for Yoga Photos

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This is getting annoying.

I’ve been posting a lot about yoga, specifically about yoga for cancer populations.

Yoga programming for such populations is *not* your garden variety beginner/intermediate yoga. With the possible exception of well-practiced, life-long yogis who experience a cancer diagnosis, most of the people taking these yoga classes will have limitations to their movement and will need thoughtfully-designed sequences that offer appropriate modifications.

In a number of cases, these individuals may be older (for example, the average age at diagnosis for a woman in the US with breast cancer is 62). Many of them will not have an established yoga practice but may be attracted to yoga due to its reputation as being a mind-body activity: people with cancer not only have to deal with the disease and physical side effects of treatments, but also the emotional repercussions of being diagnosed with a life-threatening illness. Yoga can help.

So why am I irritated? Because the photo databank I use for my blog is replete with photographs of bodies in yoga poses. However, the poses shown are nothing that I would ever consider twisting a cancer patient into.

Make no mistake: the photographs are lovely, the yogis are impressively advanced, but what kind of a message does seeing mainly *these* kinds of yoga photos send to those cancer patients considering trying out yoga?
(Photo by Oksana Taran on Unsplash)

The yogis shown almost without exception are young and flexible. And when I’ve searched for “senior yoga” etc. to increase the diversity of the images…sure, I can find some but they’re locked behind a paywall (mine is a free blog without a budget for such niceities). Apparently, an older individual doing yoga is considered “exotic”.

This type of exclusivity feeds the narrative that yoga is for youthful, injury-free people who have the funds to attend studio classes. Someone who might be older, recovering from surgery, limited in range of motion and conscious about their budget due to treatment costs…well, I wouldn’t be surprised if they felt that yoga wasn’t welcoming of them and their needs.

This is, of course, so ironic, because of all the different exercise modalities, yoga is one of the most perfect for cancer patients. These are the people who need yoga the most!

Yes, I’ve written (griped?) about this topic before. Yes, we’re becoming more accepting of diverse bodies in diverse situations. But good luck trying to illustrate a blog post on yoga for cancer patients with actual photos of cancer patients doing yoga!

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I’m not expecting to easily find every type of person depicted doing yoga in a given (free) photobank. But in the US we have a problem with making yoga accessible, and the more images that we run of only a certain kind of human doing yoga, the more we inadvertently push the idea that yoga is only for that certain kind of human.

Finding Balance, Literally

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One of the striking benefits of mindfulness is that it amplifies the richness of our world. On a personal level, it’s revealed to me how tightly my mind and body are connected.

I truly believe that when you calm the mind, you calm the body and vice versa. This is particularly important for me because 1) I am prone to anxiety and 2) some of the breast cancer drugs I was given were cardiotoxic. Therefore, I have an inherent interest in keeping calm and avoiding stress.

Avoiding stress. HA!

After several anxious weeks that included trying to secure a new apartment and the possibility of serving as a juror on a 4-week criminal trial (for better or worse, neither one has happened), I found myself drained and unbalanced.

So for my Advent commitment, I’m working on getting my sense of balance back. And while I realize that yoga is much more than just one aspect of the physical practice, in my case, I believe that being able to calm my body, find a point of focus (drishti) and work on my balance go hand in hand with balancing my mind .

The moves that I’m using are uncomplicated and unimpressive, but I’m getting back to basics and rebuilding my balance foundation from there, even though I’ve found that there are more advanced balance moves that I can do that don’t seem to give me as much trouble. Go figure.

My daily practice has incorporated the following poses (asanas) with the intention of holding each for a prolonged period of time:

balance-practice-simple-by-frantic-shanti Download

Standing wind-release pose (Tadasana Pavanmuktasana): This is a classic beginner pose that I chose as a starting point. From Mountain Pose (Tadasana), shifting weight into supporting leg, float the other leg up forward, knee bent with options to draw it into your chest or, which I find more comfortable, have my hands in prayer or support the raised leg under the knee.

Tree pose (Vrksasana): This is the classic tree pose, weight on supporting leg, other leg bent with knee pointing to the side, but with the sole of foot on the inside of the supporting calf instead of the inner thigh, as we usually see it portrayed. I chose this because of the hip opening aspect and by keeping the foot on the lower leg, all my focus is on balance, without having flexibility become an issue, because that is also affected by stress–I found that certain muscles tighten up and throw things out of whack.

Warrior Three (Virabhadrasana III): This is an intermediate level pose in which body weight is in the supporting leg with the upper body bent forward parallel to the floor in line with the hips, and the non supporting leg stretched out back, also in line with the hips. I play around with arm positioning, alternating between arms stretched forward past my head, out to the side or behind me.

Has this been a humbling experience? Yes, it has.

My balance practice is not a competition, it is a gentle smoothing of my nervous system. I’m not trying out for Cirque du Soleil. Ever.
(Photo by GMB Fitness on Unsplash)

Balance poses are not my “thing”. They used to be no big deal, but that was in my pre-cancer life. Physical balance took a huge hit during cancer treatment and I found myself strangely off-kilter afterwards. Aromatase inhibitors’ effects on my joints certainly didn’t help either. It was exhausting to fight this deterioration when I already felt spent. Years later, I had been avoiding balance asanas in my practice, which means that what was suboptimal has become worse.

Starting out this time around I was terrible. And I mean embarrassingly terrible. When I moved into the first asana, it felt as though I’d been plugged into a light socket with nervous energy coursing through me, making it so difficult to be still. I couldn’t hold any poses for very long and Warrior Three felt like a constant struggle.

But even in the space of a week’s practice, I am getting better. These asanas were chosen with ease of progress in mind and I’ve decided to keep going with this well into the New Year. I can definitely use the work.

While it’s frustrating feeling like I’ve regressed so much, I guess that means my progress will seem even better, right?